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This book was first published in 2004. Plato, Aristophanes and the creators of the 'Orphic' gold tablets employ the traditional tale of a journey to the realm of the dead to redefine, within the mythic narrative, the boundaries of their societies. Rather than being the relics of a faded ritual tradition or the products of Orphic influence, these myths can only reveal their meanings through a close analysis of the specific ways in which each author makes use of the tradition. For these authors, myth is an agonistic discourse, neither a kind of sacred dogma nor a mere literary diversion, but rather a flexible tool that serves the wide variety of uses to which it is put. The traditional tale of the journey to the Underworld in Greek mythology is neither simple nor single, but each telling reveals a perspective on the cosmos, a reflection of the order of this world through the image of the other.
Dionysia --- Mythology, Greek --- Mythology, Greek, in literature --- Voyages to the otherworld --- Voyages to the otherworld in literature --- Subterranean voyages --- Underworld, Voyages to the --- Voyages to the underworld --- Voyages, Imaginary --- Greek mythology --- Orphic mysteries --- Orphism --- Cults --- Aristophanes. --- Plato. --- Mythology, Greek. --- Voyages to the otherworld. --- Dionysia. --- Mythology, Greek, in literature. --- Voyages to the otherworld in literature. --- Lamellae aureae Orphicae. --- Orphicae lamellae --- Lamine d'oro orfiche --- Orphic gold leaves --- Orphic gold tablets --- Arts and Humanities --- History --- Thematology --- Comparative literature --- Aristophanes [Comicus] --- Plato
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Combining historical and philological method with contemporary literary analysis, this study of Pindar's longest and most elaborate victory ode, the Fourth Pythian, traces the underlying mythical patterns, implicit poetics, and processes of mythopoesis that animate his poetry.Originally published in 1986.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Mythology, Greek, in literature. --- Apollo --- Medea, --- Pindar --- Pindar. --- Pindarus --- Pindare --- Píndaro --- Pindaros --- Μήδεια, --- Mēdeia, --- Apollōn --- Apellōn --- Απολλων --- Απελλων --- Helios --- In literature. --- Knowledge --- Mythology. --- Apollo (Greek deity) in literature --- Medea (Greek mythology) in literature --- Mythology, Greek, in literature --- Pindaro --- Πίνδαρος --- Mythologie grecque dans la littérature --- Apollon (Divinité grecque) dans la littérature --- Médée (Mythologie grecque) dans la littérature --- Criticism and interpretation. --- Critique et interprétation --- Mythology --- Pindar - Knowledge - Mythology
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Literature --- Thematology --- Bible --- Epical, mythological and fictitious figures --- literatuurgeschiedenis --- bijbel --- 82:2 --- 82:291.13 --- Literatuur en godsdienst --- Literatuur en mythe --- 82:291.13 Literatuur en mythe --- 82:2 Literatuur en godsdienst --- 810 --- literatuur --- bijbels --- mythologie --- motieven --- literatuurwetenschap --- Bible and literature --- European literature --- Mythology, Greek, in literature --- Literature and the Bible
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Anonymous characters appear in almost every extant Greek Tragedy, yet they have long been overlooked in critical scholarship. This book argues that the creation and use of anonymous figures is an important tool in the transformation of traditional mythological heroes into unique dramatic characters. Through close reading of the passages in which nameless characters appear, this study demonstrates the significant impact of their speech, actions, and identity on the characterization of the particular named heroes to whom they are attached. Exploring the boundaries between anonymity and naming in mythico-historical drama, the book draws attention to an important but neglected aspect of the genre, suggesting a new perspective from which to read, perform, and appreciate Greek Tragedy.
Characters and characteristics in literature. --- Greek drama (Tragedy) --- Heroes in literature --- Mythology, Greek. --- Personnages dans la littérature --- Tragédie grecque --- Héros dans la littérature --- Mythologie grecque --- History and criticism. --- Histoire et critique --- Characters and characteristics in literature --- Mythology, Greek --- History and criticism --- Characters --- Personnages de théâtre --- Littérature grecque --- Characters. --- Greek drama (Tragedy) -- Characters. --- Greek drama (Tragedy) -- History and criticism. --- Languages & Literatures --- Greek & Latin Languages & Literatures --- Personnages dans la littérature --- Tragédie grecque --- Héros dans la littérature --- Greek mythology --- Character sketches --- Characterization (Literature) --- Literary characters --- Literary portraits --- Portraits, Literary --- anno 1-99 --- Empereurs --- Emperors --- Succession --- Rome --- History --- Greek drama --- Ancient history --- Histoire --- Personnages de théâtre. --- Histoire et critique. --- HISTORY / Ancient / Rome --- Greek drama (Tragedy) - History and criticism --- Greek drama (Tragedy) - Characters --- Emperors - Succession - Rome --- Rome - History - Julio-Claudians, 30 B.C.-68 A.D. --- Personnages de théâtre. --- Littérature grecque
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This book examines the performance of Greek tragedy in the classical Athenian theatre. Whilst post structuralist criticism of Greek tragedy has tended to focus on the literary text, the analysis of stagecraft and the theatre has been markedly conservative in its methodology. David Wiles corrects that balance, exploring the performance of tragedy as a spatial practice specific to Athenian culture, at once religious and political. Athenian conceptions of space were quite unlike those of the modern world. After reviewing controversies and archaeological data regarding the fifth-century performance space, Wiles turns to the chorus and shows how dance mapped out the space for the purposes of any given play. The book shows how the performance as a whole was organised and, through informative diagrams and accessible analyses, Wiles brings the theatre of Greek tragedy to life.
875-2 --- Griekse literatuur: toneel; drama --- 875-2 Griekse literatuur: toneel; drama --- Theater --- Theaters --- Greek drama (Tragedy) --- Mythology, Greek, in literature. --- Opera-houses --- Playhouses (Theaters) --- Theatres --- Arts facilities --- Auditoriums --- Centers for the performing arts --- Music-halls --- History --- History and criticism. --- Athens (Greece) --- Intellectual life. --- Théâtre --- Théâtres --- Tragédie grecque --- History and criticism --- Histoire --- Histoire et critique --- Theatrical science --- Drama --- Classical Greek literature --- Greece
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This volume is the first English-language survey of Homeric studies to appear for more than a generation, and the first such work to attempt to cover all fields comprehensively. Thirty leading scholars from Europe and America provide short, authoritative overviews of the state of knowledge and current controversies in the many specialist divisions in Homeric studies. The chapters pay equal attention to literary, mythological, linguistic, historical, and archaeological topics, ranging from such long-established problems as the 'Homeric Question' to newer issues like the relevance of narratology and computer-assisted quantification. The collection, the third publication in Brill's handbook series, The Classical Tradition , will be valuable at every level of study - from the general student of literature to the Homeric specialist seeking a general understanding of the latest developments across the whole range of Homeric scholarship.
875 HOMERUS --- Civilization, Homeric --- Epic poetry, Greek --- -Epic poetry, Greek --- -Oral tradition --- -Homeric civilization --- Tradition, Oral --- Oral communication --- Oral history --- Greek epic poetry --- Epic poetry, Classical --- Greek poetry --- 875 HOMERUS Griekse literatuur--HOMERUS --- Griekse literatuur--HOMERUS --- Homer --- -Homer --- Homeros --- Homère --- Civilization, Homeric. --- Mythology, Greek, in literature. --- Oral tradition --- Criticism, Textual. --- Poésie épique grecque --- Tradition orale --- Civilisation homérique --- Critique textuelle --- Mythology, Greek, in literature --- Homeric civilization --- Criticism, Textual --- History and criticism --- Criticism and interpretation. --- Homerus --- History and criticism. --- Histoire et critique --- Hóiméar --- Hūmīrūs --- Gomer --- Omir --- Omer --- Omero --- Ho-ma --- Homa --- Homérosz --- האמער --- הומירוס --- הומר --- הומרוס --- هومر --- هوميروس --- 荷马 --- Ὅμηρος --- Гамэр --- Hamėr --- Омир --- Homero --- 호메로스 --- Homerosŭ --- Homērs --- Homeras --- Хомер --- ホメーロス --- ホメロス --- Гомер --- Homeri --- Hema --- Pseudo-Homer --- Pseudo Omero --- Homer. --- Epic poetry, Greek. --- Oral tradition. --- Folklore --- Civilization --- Greece. --- al-Yūnān --- Ancient Greece --- Ellada --- Ellas --- Ellēnikē Dēmokratia --- Elliniki Dimokratia --- Grčija --- Grèce --- Grecia --- Gret͡sii͡ --- Griechenland --- Hellada --- Hellas --- Hellenic Republic --- Hellēnikē Dēmokratia --- Kingdom of Greece --- République hellénique --- Royaume de Grèce --- Vasileion tēs Hellados --- Xila --- Yaṿan --- Yūnān --- Epic poetry, Greek Criticism, Textual --- Greek & Latin Languages & Literatures --- Languages & Literatures --- Epic poetry, Greek - History and criticism. --- Epic poetry, Greek - Criticism, Textual. --- Oral tradition - Greece.
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This translation of Anfitrião, ou Júpiter e Alcmena by Antônio José da Silva makes this remarkable play on the exploits of Jupiter and the conception of Hercules available in English for the first time. The play is of considerable interest in literary history as part of a long tradition of stage works on the Amphitryon theme.
Literature -- 19th century -- History and criticism. --- Literature -- 20th century -- History and criticism. --- Portuguese literature. --- Alcmene (Greek mythology) --- Romance Literatures --- Languages & Literatures --- Portuguese Literature --- Alcmena (Greek mythology) --- Alkmene (Greek mythology) --- Mythology, Greek --- Jupiter --- Amphitryon --- Silva, António José da, --- Ἀμφιτρύων --- Amphitruo --- Амфитрион --- Amfitrion --- Amfitryon --- Amfitrió --- Anfitrión --- Amfitriono --- Anfitrione --- אמפיטריאון --- Amphitrüón --- アムピトリュオーン --- Amupitoryuōn --- Anfitrião --- Amfitrioni --- Амфітріон --- 安菲特律翁 --- Anfeiteluweng --- Iuppiter --- Iovis --- Jove --- Chupiter --- Yupiter --- Юпітэр --- I︠U︡pitėr --- Юпитер --- Yaou --- Iau --- Γιούπιτερ --- Gioupiter --- Jupitero --- Xúpiter --- Giove --- יופיטר --- Yow --- Jupiters --- Jupiteris --- Јупитер --- Ġove --- Jowisz --- Giovi --- Juppiter --- Hupiter --- Юпітер --- 朱庇特 --- Zhubite --- Zhu bi te --- Jupiter Optimus Maximus --- Júpiter Óptimo Máximo --- Diespiter --- Lucetius --- Jupiter Elicius --- Jupiter Fulgur --- Portuguese literature --- Zeus
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